Cindy Sherman, Untitled, 1975, gelatin silver print, 30.5 x 20.4 cm © Courtesy of the Artist, Metro Pictures, collection Musée de l’Elysée, Lausanne
http://aastudiosinc.com/lausanne/index.html
http://www.elysee.ch/en/no_cache/exhibitions/detail/article/behind-the-curtain-the-aesthetics-of-the-photobooth/
http://aastudiosinc.com/lausanne/index.html
BEHIND THE CURTAIN – THE AESTHETICS OF THE PHOTOBOOTH
17.02.2012 - 20.05.2012
When the first photobooths were set up in Paris in
1928, the Surrealists used them heavily and compulsively. In a few
minutes, and for a small price, the machine offered them, through a
portrait, an experience similar to automatic writing. Since then,
generations of artists have been fascinated by the concept of the
photobooth. From Andy Warhol to Arnulf Rainer, Thomas Ruff, Cindy
Sherman and Gillian Wearing, many used it to play with their identity,
tell stories, or simply create worlds.
Behind the Curtain - the Aesthetics of the Photobooth, an exhibition created by the Musée de l’Elysée, is the first to focus on the aesthetics of the photobooth. It is divided into six major themes: the booth, the automated process, the strip, who am I ?, who are you ?, who are we ?. Provider of standardized legal portraits, it is the ideal tool for introspection and reflection on others, whether individually or in groups. By bringing together over 600 pieces made on different media (photographs, paintings, lithographs and videos) from sixty international artists, the exhibition reveals the influence of the photobooth within the artistic community, from its inception to the present day.
Behind the Curtain - the Aesthetics of the Photobooth, an exhibition created by the Musée de l’Elysée, is the first to focus on the aesthetics of the photobooth. It is divided into six major themes: the booth, the automated process, the strip, who am I ?, who are you ?, who are we ?. Provider of standardized legal portraits, it is the ideal tool for introspection and reflection on others, whether individually or in groups. By bringing together over 600 pieces made on different media (photographs, paintings, lithographs and videos) from sixty international artists, the exhibition reveals the influence of the photobooth within the artistic community, from its inception to the present day.
Artists
Jean-Michel Alberola, Louis Aragon, Marie-Berthe Aurenche, Richard Avedon, Alain Baczynsky, Jared Bark, Marc Bellini, Jacques-André Boiffard, André Breton, Hansjürg Buchmeier, Anita Cruz-Eberhard, Sabine Delafon, Anne Deleporte, Paul Eluard, Max Ernst, Michael Fent, Michel Folco, Valentine Fournier, Lee Friedlander, Näkki Goranin, Jeff Grostern, Susan Hiller, Dick Jewell , Svetlana Khachaturova, Jürgen Klauke, Jacques-Henri Lartigue, Naomi Leibowitz, Leon Levinstein, Annette Messager, Willy Michel, Daniel Minnick, Suzanne Muzard, Raynal Pellicer, Mathieu Pernot, Steven Pippin, Jacques Prévert, Raymond Queneau, Arnulf Rainer, Timm Rautert, Bruno Richard, Gerhard Richter, Thomas Ruff, Michel Salsmann, Tomoko Sawada, Joachim Schmid, Cindy Sherman, Lorna Simpson, Dimitri Soulas, Yves Tanguy, Amanda Tetrault, Roland Topor, Franco Vaccari, Andy Warhol, Gillian Wearing, Jan Wenzel, David Wojnarowicz and the group Fluxus.
Curators
Clément Chéroux and Sam Stourdzé
With the collaboration of Anne Lacoste
Clément Chéroux and Sam Stourdzé
With the collaboration of Anne Lacoste
Aucun commentaire:
Enregistrer un commentaire